New Course in Paris: Fashion Semiology - The Language of Fashion and Luxury through Style, Communication and Marketing.
Ars Europa, with many years of appreciated and successful collaboration with Istituto Marangoni, school of fashion, art and design and IESEG, school of management, has arranged a micro training course about “Fashion Semiology:The Language of Fashion and Luxury through Style, Communication and Marketing” in downtown Paris (France), Rue de Rivoli, close to Louvre Museum, on the following days:
Thursday May 12th, from 9 a.m. to 12 and from 1,50 p.m. to 5,45 p.m.
Friday May 13th, from 9 a.m. to 12 and from 1,50 p.m. to 4,45 p.m.
Friday May 13th, from 9 a.m. to 12 and from 1,50 p.m. to 4,45 p.m.
The course aims to illustrate to the students the signical and perceptual values (marketing oriented) of fashion and its visual representation, to help them to choose the best solution in the creation and representation of the fashion product and improve the critical approach and design. With these cognitive tools, learners will be able, therefore, to decide which signs, codes and communication strategies are most suitable for designing and communicating the creation of fashion, in relation to the perceptual results to be achieved in order to characterize the its communication with those iconic or symbolic values best suited to bring out in the end user’s desire to purchase.
This intensive course is conceived for professionals coming from the fashion and luxury field and other sectors too.
All of the applicants will receive a certificate of participation with designation as a qualified “Fashion Semiology specialist”.
Limited number of participants are allowed.
The course costs 250 euros (for 13 hours of course). It will be held in english.
Several topics of our program of study will be the following:
Day 1
Day 1
The concept of Fashion semiology and Semiomarketing
Fashion conceived as communication system. Signical categories: symbols, icons, indexes
Costumes, uniforms and fashionable garments : investigating the difference between fashion and clothing codes
Visual categories: the shape and its meanings
The discursive structure of Fashion: time, space and actors. The concept of visual identity.
Chromatic categories
Semantic categories in Fashion: tactile, metric, optical
Analysing Laver’s Calendar and understanding how people perceive trendy objects. Comparing the “use” and “purchase” variables within the Fashion System
Fashion conceived as communication system. Signical categories: symbols, icons, indexes
Costumes, uniforms and fashionable garments : investigating the difference between fashion and clothing codes
Visual categories: the shape and its meanings
The discursive structure of Fashion: time, space and actors. The concept of visual identity.
Chromatic categories
Semantic categories in Fashion: tactile, metric, optical
Analysing Laver’s Calendar and understanding how people perceive trendy objects. Comparing the “use” and “purchase” variables within the Fashion System
Day 2
Plastic Denotation and Connotation
Use of frames for shooting Fashion objects
The observation point
The topological categories used for fashion images: the axial and sequential path.
Jackobson’s functions in fashion communication.
Use of figures of speech in Fashion advertising
Fashion as text and narrative. The actantial model
The semiotic square
communicative analysis semiomarketing oriented and extrabrand of Dolce & Gabbana
Use of frames for shooting Fashion objects
The observation point
The topological categories used for fashion images: the axial and sequential path.
Jackobson’s functions in fashion communication.
Use of figures of speech in Fashion advertising
Fashion as text and narrative. The actantial model
The semiotic square
communicative analysis semiomarketing oriented and extrabrand of Dolce & Gabbana
communicative analysis semiomarketing oriented and extrabrand of Bulgari
communicative analysis semiomarketing oriented and extrabrand of Fendi adv
communicative analysis semiomarketing oriented and extrabrand of Moschino adv
Lecturer:
Cinzia Ligas, semiotician, is among the foremost experts in Italy in luxury communication.
She is consultant in Semiomarketing, Fashion semiology, Fashion video advertising, Net semiology and Virtual fashion. Professor or lecturer at various prestigious university institutes as IESEG in Paris, Istituto Marangoni in Paris and Milan, IED in Milan, Domus Academy in Milan, Style and Design College, University of Bologna.
Books and Publications:
- Fashion Semiology, the Language of Fashion and Luxury through Style, Communication and Marketing for Gruppo24Ore e Istituto Marangoni Books – 2012
- Sign and Design. A practical guide to discovering, understanding and using the hidden messages in video advertising, found in Fashion, Design and Luxury for Ars Europa – 2013
- Semiomarketing. Communicative structures marketing oriented, aimed at optimizing business communications in order to improve the target-client conversion process, in Luxury for Camaleo – 2015
- “Principi di Net Semiology” for Tecniche Nuove – 2003
- Art Semiology – l’immagine oltre l’arte (tra pubblicità e marketing) for Ars Europa – 2005
- “Content Management” for Apogeo – 2001
- Soggetto Elettronico for Ars Europa – 2007
- Logosemiotica e Fonosemiotica for Ars Europa – 2006
For more infos send an email to informa@arseuropa.org and write FASHION SEMIOLOGY ENG as the subject topic.
Enroll here:
FASHION SEMIOLOGY: NEW COURSE IN PARIS
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